JULY 1, 2011 - BROKEN TEETH's video for the song "Bullet" can be seen below. The track comes off the band's latest album, "Viva La Rock, Fantastico", which was released in January 2010 via Perris Records. Featuring 13 all-new tracks, the CD was written on the road during BROKEN TEETH's 2008-2009 "Blood on the Road Tour". As expected, the fifth release from the hard-bitten Texas head-knockers is torn from the same hellraiser's hymnal that gave us the likes of MOTÖRHEAD, AC/DC, RHINO BUCKET and other wheels-of-steel rockers.
"Viva La Rock, Fantastico" is another evil sermon of devilish delights and rock-altar anthems. From the torch-fire, rat-a-tat blast of "Blackheart" and the frantic missile-scream of "Dressin' Up in Flames" to the nervous shakedown of "Break the Spell", and the aptly titled "Exploder", "Viva La Rock, Fantastico" finds BROKEN TEETH's six-string pitchfork attack taking equal jabs at feverish fun ("Twister" and "Bullet") and pleasurable pain ("Spitting Nails" and "Get Outta Here Alive").
Helping BROKEN TEETH fan the "Fantastico" flames is blood-sweating Canadian rocker Danko Jones. The rock and roll outlaw from the Great White North lends backup vocals to the album's tequila-spiked title track as well as the shout-along stormer "Big Spender".
BROKEN TEETH formed in Austin, Texas, in 1999 when vocalist Jason McMaster recruited former members of DANGEROUS TOYS, DIRTY LOOKS and PARIAH for a side project that allowed band members to have some fun indulging their dirty rock influences, including AC/DC, ROSE TATTOO, CIRCUS OF POWER and THE FOUR HORSEMEN. More than a decade later, BROKEN TEETH has firmly established its own tattered and frayed identity with a discography that includes the self-titled debut, "Guilty Pleasure", "Blood On The Radio" and "Electric".
APRIL 21, 2011 - Broken Teeth, going on eleven years, and 5 releases of real rock n roll ala' Motorhead, Priest and ACDC style dirty, drive fast boogie power rock, plan to write a new record after a banner year in 2010 with the latest,VIVA LA ROCK,FANTASTICO(featuring Danko Jones), it might be a tall task to equal the large and positive response the record garnered. The band will also embark for the third time, on SHIPROCKED, a five day rock n roll cruise in the Atlantic(this year includes Buckcherry, Hellyeah, Sevendust and more). Get info about the cruise at www.getshiprocked.com.
as fuel prices have killed alot of tours, Teeth are no stranger to that at all, so, the cruise will get alot of traffic for the teeth,and has proven to promote the band quite a bit. no release date for a new teeth disc. Get Broken Teeth anywhere, even Target.com, shop.brokenteeth.com as well as Perrisrecords.com.
Like a Texas twister chewing up a trailer park, BROKEN TEETH arose from the ashes of bands like, DIRTY LOOKS, PARIAH and of course, DANGEROUS TOYS. Dating back to around 1999, these hard knockers started kicking ass and taking names around the Austin, Texas area.
When Dangerous Toys released their self-titled debut album on Columbia records in 1989, their raw southern rock and metal served as an immediate attack on glam metal's reign on MTV and rock radio. Their two hit singles, "Teas'n, Pleas'n" and "Scared," gained the band a rabid following and helped the album go gold.
Dangerous Toys was founded in Texas in 1987 by vocalist Jason McMaster along with guitarists Scott Dalhover and Danny Aaron, bassist Mark Geary, and drummer Mike Watson. Mike Watson left before recording The R'tist 4'merly Known As Dangerous Toys in 1995. Although the band officially broke up in the late '90s, they released a live album in 1999 and occasionally reunite for a few shows.
Quite a few bands have mentioned Watch Tower as one of their influences. Watch Tower’s impact on progressive rock and metal can be heard on their debut record, Energetic Disassembly. This CD is a fairly short listen, clocking in at under forty minutes, but it is definitely worth the time spent.
Not only did Energetic Disassembly launch the careers of Jason McMaster (Dangerous Toys/Broken Teeth) and Billy White., it also influenced the sound of many future progressive metal acts, including Dream Theater.
This Texas quartet’s music is best described as technical thrash. Think early Metallica style thrash with a bunch of progressive style time changes. Those of you who are familiar with Jason McMaster’s work in Dangerous Toys, have never heard him sing like this. Most of his vocals are sung at a higher, ear splitting register. His vocal approach was a lot more common by the speed metal acts of the 80’s.
The musicianship is nothing short of stellar on this disc. Not only does Billy White’s guitar work shine on this disc, but Doug Keyser’s bass work really stands out. Watch Tower’s sound may be a little on the experimental side, but fans of early 80’s thrash, will most certainly like this. If there are any downfalls with this disc, it would be with the production. The production quality is a little on the thin side, but this doesn’t hurt your listening experience.
GMC, as the band was come to be abbreviated as, formed in 97 in Austin Tx. and literally gave it their all in a handful of fast years, a few annual SXSW Music Showcases with excellent response from industry pundits who later coined the band as sounding like a 'Sci-Fi Metallica',as well as opening for Suicidal Tendencies,WASP, and other touring acts, the band had a strong following regionally in the south, and made appearances in a handful of international metal magazines with reviews and publication compilation cds.
The songs and style were heavily influenced by members fave bands from youth,starting with UFO and Thin Lizzy, to Black Sabbath and Slayer, with lots of heavy dirge valley's,and peaking with super speed metal blast beats.
Originally spelled, Godzilla Motor Company, by 2000 the 4 piece metal outfit changes the spelling after recieving a stack of faxes from the Japanese production company (Toho Limited) who claim to own the word 'Godzilla'.
The original players and key songwriters consisted of Bobby Landgraf-guitars,Chris Conley-guitars,and Jason McMaster-bass and vocals. The whirlwind of drummers started with original member-Ben Burton, who left the band by 1999. An excellent replacement followed/didnt work out to say the least,and then finally, the most recent recordings that month to 17 tracks existing,two of them that you hear on this site, drums were recorded by Erick Tatuaca. The band seemed dysfuntional with the spinning chair or drummers, but,owning up to a heavy hand in keeping metal alive in central Texas during the late 1990's on into 2000's.
The plan to at least release two full length cds worth of GMC material is in the works,although the band more than likely, will not tour.
Update on GMC members
Bobby Landgraf tours with southern fried boogie heavy rock band, Honky, as well as session work.
Chris Conley does session work and front of house sound for touring acts.
Erick Tatuaca works as a session/touring drummer.
Sad Wings
The impact Judas Priest has on the world of music, especially heavy metal, is huge. Each member of Sad Wings was forever changed when they first heard the mighty roar of the Priest. Out of pure love and respect for that music, Sad Wings was formed.
Each member was hand-picked by McMaster and the band has proven they have the formidable chops to tackle the tricky Priest catalog. The first show was an overwhelming success and the following shows have all been killer. All the members have busy schedules with their "real" bands so shows are far apart.
Come see them while you can because you never know when the next show will be. Join the crowd, slap on an old Priest shirt, and sing along with the best metal ever!
Band Members Jason McMaster - Vocals, Jason Frankhouser - Guitars, Stuart Laurence - Guitars, Stoney - Bass, Steve "Les Binks" Dezman - Drums
APRIL 21, 2011 Finishing recording and mixing at the moment,spring 2011...will release the latest, YEAR OF THE METAL TIGER, the second effort with mcmaster on the mic...follow up to 2009's THE SPIDER QUEEN which was a complete concept album. Y.O.T.M.T. is more classic and of a strong collection songs than another concept. THE SPIDER QUEEN has been reviewed and believed to be a weak moment by some, in Ignitors carreer, McMaster taking some heat over replacing the great Erika Tandy(original Ignitor singer,and favorite of metal journalists worldwide) on top of the daring idea to have new McMaster on vox and have a "Magnum Opus" of a record telling of a long winding drama, with characters and stories of love,hate,blood, guts and war, and supposedly lacked the riffs and guitar solos longtime Ignitor fans seemed to miss(even though in the bands opinion,there are riffs and solos throughout, listen for yourself to The Spider Queen). It was available on target.com last time i checked,but, any store tht sells metal has it.
Y.O.T.M.T. is Ignitor's return to"true metal", and will be available this year.
APRIL 1, 2011
Ignitor is currently in the studio finishing up the newest release "YEAR OF THE METAL TIGER" to be released this year on ITunes and the bands own label.
The line up is current (The Spider Queen is still available online, and in stores that specialize in heavy metal)
Please keep your fists help high, and metal screams loud for the triumphant return of IGNITOR!!! Find news and updates regularly at facebook.com/ignitor
New Album By Ignitor
FOR IMMEDIATE RELEASE: (FRIDAY JULY 10TH 2009)
HEAVY ARTILLERY TO RELEASE NEW ALBUM BY IGNITOR
HEAVY ARTILLERY is pleased to announce the release of The Spider Queen, the highly anticipated new album from Texas metal powerhouse IGNITOR. The Spider Queen will be released in the United States and Canada on September 22nd released in Europe and the rest of the world on September 14th.
Amongst its ranks IGNITOR features veteran musicians of the US metal scene including founding guitarist Stuart Laurence (Batlord) from AGONY COLUMN and the recent addition of legendary frontman Jason McMaster of DANGEROUS TOYS and WATCHTOWER fame. The Spider Queen is an original rock opera written by guitarist Stuart Laurence featuring nine scenes plus an intro and an epilogue, each scene represented by a song. The album narrates the adventure of a young man facing the quest of his life, avenging his parents’ death. The story revolves around a mysterious talisman and the magic it possesses, with many turns of events that lead to an unexpected end. Each and every one of the numerous characters are impersonated by the versatile, dramatic and impressive vocals of Jason McMaster.
Bolstered by the strength of their new line-up and at an all time creative peak, IGNITOR find themselves an even more formidable force than ever before. True heavy metal is their game and The Spider Queen, a concept album of pure epic metal, will not disappoint.
IGNITOR- CURRENT LINE UP
BATLORD-GUITARS
BEVERLY BARRINGTON-GUITARS
BRENDAN BIGELOW-BASS
PAT DOYLE-DRUMS
JASON MCMASTER- VOCALS
OLD SCHOOL POWER METAL INFLUENCED BY INSTITUTIONALIZED BANDS SUCH AS METALLICA,IRON MAIDEN AND JUDAS PRIEST.
HISTORY-
GOING ON 6 YEARS PLUS IN THE RUNNINGS OF PLAYING FESTIVALS IN EUROPE,MEXICO,AND THE USA
ORIGINAL SINGER ON THE FIRST TWO RELEASES, ERIKA TANDY,REPLACED RECENTLY BY JASON MCMASTER.
OTHER LINE UP CHANGES HAVE OCCURED ON FOR 2ND RELEASE,ROAD OF BONES, WITH GUITARIST ANNAH,LEAVING, AND BRINGING THE RETURN OF ORIGINAL GUITARIST,BEVERLY, AS WELL AS BRINGING IN NEW SINGER,JASON, FOR THE NEWEST RELEASE(OUT SOON ON CRUZ DEL SUR) "SPIDER QUEEN".
MORE INFO-MYSPACE.COM/IGNITOR
November 1, 2011 Evil United featured in Corey Mitchell's September '11 Bleeders' Digest (The "It's About Fucking Time" Edition) Click here to visit website.
Last year (and the year before) I got way too busy with this thing called life and missed out on a lot of quality music. I am here to rectify the error of my ways, month by month.
Sorry for the delay. Been extra busy writing books, covering film festivals for Bloody Disgusting, and watching zee American football (Go Steelers!). Also, my listening tally (165 releases for September alone!!) practically quadrupled with the introduction of Spotify into my home.
I won’t have another Bleeders’ list until December as I am fast approaching a deadline on my next true crime book, Teach Me To Kill. I will, however, be contributing my Top 15 picks of the year before I resume the Bleeders’ lists.
This past July, longtime MS reader Kuranes left a message on my monthly Bleeders column. He wrote, “September is shaping up to be the month of anticipated releases for me… Opeth, Mastodon, Anthrax, WITTR, Saviours, maybe even Dream Theater.” Boy, he hit the nail on the head. September 2011 was a great month for metal. Funny thing is, not one of the albums he listed made it onto my September Bleeders’ list. But this was, by far, the best month of heavy metal releases I’ve heard in years. The albums I’ve selected as Bleeders have everything I love about metal. They’re challenging, heavy, fun, scary, fucked-up, and most of them require you to plant your butt in a chair and sit and listen to the entire album. Say goodbye short attention spans.
Here are the September 2011 releases that got under my skin, burrowed their way into my brain, made my ears bleed, or simply tickled my unmentionables:
SEPTEMBER ’11 BLEEDERS
These are the keepers. I expect to spin these throughout the year and longer.
Amebix - Sonic Mass (Easy Action Records)
Imagine if deep cut Ministry hooked up with Nick Cave, Justin Broadrick, and Lemmy and decided to teach these darn kids today a few lessons in violence. It has been twenty-four years since Amebix’s last release, Monolith. They were resurrected from used record store hell through the sheer will and force of Stone Sour drummer and Amebix fanboy, Ray Mayorga. He joins original Amebix members Rob Miller and Stig to create a fusion of post-rock punk rock with industrial undertones, tribal drum warfare, and anthemic rants that will have you amazed at how well these old farts rock the fuck out! Throw in some old Killing Joke and even Echo & The Bunnymen for a weirdly infectious rockin’ pop twist and vast sonic soundscapes along the lines of Across Tundras for even more layers. It’s no wonder the guys in Neurosis cite Amebix as a major influence on their sound. Sonic Mass instantly jumps near the top of my list for Album of the Year.
Beneath Oblivion – From Man To Dust (The Mylene Sheath)
At the 2011 SXSW Film Festival earlier this year, I saw ten of the coolest and most frightening minutes of film I’ve seen in ages with the opening apocalypse scene from a French horror film called The Divide. It was simultaneously beautiful and hideous, while also realistic and defeating. In other words, brilliant movie-making was on display. Sadly the remaining 80 minutes were pure pretentious hokum and utterly stupid. I do believe, however, that if director Xavier Gens had heard an advance copy of Cincinnati’s Beneath Oblivion’s second album and subsequently been moved by it, we could have seen one of the greatest End Of Days films ever created. FM2D is everything that The Divide should have been – nihilistic, depressing, vast, quiet, abrasively explosive, and ultimately damning. It’s apocalyptic hypno-sludge that evokes the likes of Thou, Mindrot, eyehategod, Black Sabbath, and Jim Coleman’s Phylr. In other words, when the end of the world comes, it ain’t gonna be pretty, but it may be majestic.
Comply Or Die – Depths (self-released)
Had Scott Weiland ever fronted Unsane, this would have been the result. A dash of punk rock ala Nonmeansno, a pinch of Tad-esque grunge, and a dollop of Killing Joke (here they are again!) experimentation combine to make some of the most uncompromising post-punk rock I’ve heard in a long ass time. From the short punk rock blasts of “Shanghaied” to the very Shellac-like 11-minute opus “Vermin,” Comply or Die, a three-piece from Belfast, serve the listener up a plate of grungy, post-punk gruel goodness that will make you drool. Dark punk to space out to or punch someone in the mouth to. Whatever mood suits you.
Deserters – Fail Yourself EP (Mediaskare Records)
Debut EP from Los Angeles-based Machocore dudes that offers something a little different and way more tolerable than the usual knuckle-dragging fare trumpeted by the kids these days. It’s like Biohazard minus all the lame rap parts. Now I know that may not be much of a selling point for many of you, but the Deserters definitely know how to churn out major breakdowns with Korn-y guitar tones and Corey Taylor-inspired vocals and somehow, miraculously, make it not suck. I guess it helps that they are fellow Agnostics who aren’t afraid to express their disdain for religion and stupid people. That, and they worship at the altar of early Throwdown, which still rocks balls. Oh, and the whole shebang only lasts a shade over twenty minutes, so that doesn’t hurt. Give ‘em a shot.
Evil United – Evil United (MVD Audio) Jason McMaster like you’ve never heard him before! I’ve known Jason for more than 25 years and I can honestly say that this is the best vocal performance I have ever heard the former Watchtower/Dangerous Toys frontman deliver. It’s a full-blown thrash assault that resurrects not only his high-pitched Watchtower days, but also elements of Screaming For Vengeance Rob Halford, as well as some killer lower register. Sort of a King Diamond meets Ronnie James Dio meets Jason McMaster maelstrom of a metal storm. Evil United is also comprised of metal veterans from Riot, Pitbull Daycare, Murderdolls, and more, and they shred mercilessly. It’s start/stop on a dime thrash, Slayeresque pummeling riffage, and NWOBHM histrionics which provides the perfect background for one of the best voices in all of heavy metal. If you like Slayer, Pantera, Scorpions, Iron Maiden, Mercyful Fate, Exciter, Watchtower, Helstar, Judas Priest, Vicious Rumours, or VoiVod, you need Evil United.
Exmortus – Beyond The Fall Of Time (Heavy Artillery)
I hate the term “new thrash”. It’s just “thrash,” people. Exmortus is definitely thrash, but also much more. These Californians’ second album displays tech virtuosity (lots and lots of solos!!) minus the excessive wankery, a healthy love for Judas Priest (those guys again), and a vocalist who harkens back to Morbid Tales-era Tom G. Warrior. This is all about the interplay between guitarists Conan and Sean, who display prog action, deathly thrash, Spanish acoustics, Maidenesque galloping riffs, and plenty of crunchy-ass material that’s worth revisiting for you six-string strokers, but not so much as to turn off an arpeggio non-appreciator. I wish the songs were more memorable, but Exmortus definitely will get your head a-bangin’.
Gorath – Apokalypsis (Unveiling The Age That Is Not To Come) (Twilight – Vertrieb GbR)
Each month when I write these Bleeders it seems that an unintentional theme rears its head. This time around the unifying theme is Old School Metal interspersed with an experimental twist. In Gorath’s case, it’s solid OSBM with a myriad of experimental and progressive passages littered throughout the soundscape. These Belgians offer up a post-metal ambient trip to their corpse-paint free BM and bring to mind a combo cup of early Deathspell Omega along with the more modern sounds of Deafheaven. Lots of lumbering doom-like passages interspersed with flight of the bumblebee buzzing guitars, some serious workmanlike drumming, and enough moments of quiet despair to keep you justifiably unsettled. I would love to see these guys on tour with Bleeder favorites Horned Almighty so they can showcase two divergent, yet somewhat similar takes on a genre now entering its third decade.
Kodiak – Kodiak (Collection) (Denovali)
Third month in a row I’ve found a new (to me), fantastic instru-metal band to help me write my books of murder and mayhem. This month’s first deadly offering is the two-hour metallic dronescape of German band, Kodiak. It’s actually a collection (hence the name) of eight songs culled from a few EPs and splits. It is slooooooooooooooooooooooow going, HAF, and I love it! Molasses metal at a premium. Do not put this one in your ears unless you are ready for a total body, mind, and soul commitment. It will pummel you with ultra-downtuned guitar madness, plodding single snare rips, and an air of complete and total devastation. If you need to score your very own slit wrists in the bathtub adios cruel world tableau (please don’t), or just want to get into a really, really dark, dank, and repulsive place, this is your necessary aural accompaniment.
Kyng – Trampled Sun (Realid Records)
I stopped listening to “Rock” radio probably around the same time I started co-DJing “The Metal Show” at The University of Texas college radio station, KTSB, way, way back in 1988. Too many shitty songs played way too many fucking times between far too many mind-numbing commercials. What’s the point? I can honestly say, however, that if more bands like Kyng were spun, I might actually consider tuning back to the dial. I’m talking balls-out radio rock ala Led Zeppelin and early Aerosmith. Led by singer/guitarist Eddie Veliz, this Los Angeles trio cranks out full-blown arena rock that borrows liberally from such diverse, but successful hard rock and metal bands as Iron Maiden, Kyuss, QOTSA, King’s X, Black Sabbath, Pepper-era COC, and Pantera. Veliz’s Chris Cornellian vocals sore above the solid rock music tinged with a punk rock pissed off-ness that will have the ladies screaming and the guys throwing the goat. Welcome back solid rock and roll. I’ve missed you.
Omega Massif – Karpatia (Denovali)
First Kodiak, now Omega Massif. For a guy like me who loves dark, moody, depressing vocal-less music, September was a wonderful Black Christmas. This German sludge instru-metal unit’s second album is the perfect soundtrack to the depravity in one’s life you try so very hard to suppress. It is your true thoughts and emotions wrought through electric chords of doom and destruction, but instead of repulsing you, only serves to intrigue you more. This four-piece cranks out cinematic desolation with no effects, no electronic beeps and blurps, just pure, raw emotive psychoses that brings to mind the best of Neurosis, Godspeed You! Black Emperor, and Cult of Luna without pilfering from any of those bands. Probably the best instrumental album I’ve heard all year.
Primus – Green Naugahyde (ATO Records/Prawn Song)
Welcome back Les Claypool, Larry LaLonde, and new drummer guy who is really the old drummer guy. It’s been far too long. Sure, Primus hasn’t released a full-length in nearly thirteen years, but I bailed out around way back in 1995 around the time “Wynona’s Big Brown Beaver” surfaced. I guess the alt-rock P-Funk goofiness had finally worn off. Hell, I didn’t even really care much for Pork Soda. I used to love Primus. Caught ‘em at CMJ back in ’89 before Frizzle Fry came out. Played the shit out of that one and Primus Sucks! on my college radio metal show. Loved, loved, loved Sailing The Seas Of Cheese!! And then, poof. No more. Green Naugahyde is a nice return to form with the added bonus of a more “mature” Primus. Musically, this one is bouncy and upbeat, driven, of course, by the insane bass stylings of Mr. Claypool. Lyrically, it’s actually very dark and takes potshots at all kinds of people, especially Americans. It’s not anti-American by any means, but rather simply honest about how lazy and stupid certain factions of our great country have become. I like this new, darker Primus. Good album, not great, but it will bring a smile to your mug if you are a fan of their earlier tunes.
Stillbirth – Endgame Is Near (Deafground Records)
Hell yeah!! Fun grindcore!! Didn’t think it was possible, didya? These nutbags combine grind, death, and hardcore, don some silly-ass “I Am The Law”-era Anthrax colored surf shorts, and take the piss out of Slipknot. You’ve got dental suction vox, Dimebag squeals, and all kinds of crazy tech-shit going on. Bree-bree-brees, weird jump-cut audio edits, and fake recorded audience cheers. It’s completely nuts and I love it! Somewhere in an unholy three-way between Cerebral Bore, Lamb of God, and Murphy’s Law lie Stillbirth. Check out the riff in “Endgame” at 1:52 that lasts a whopping nine seconds for an example of how rad these cats are. One of the few grindy death records I will be revisiting on a regular basis.
Vader – Welcome To The Morbid Reich (Nuclear Blast)
There tend to be two camps when it comes to Polish veterans Vader – those who love everything they do and those who deride them as the AC/DC of death metal. I tend to view Vader like I do a warm plate of chicken fried steak, mashed potatoes and gravy, and corn. You know, quality comfort food. It may not be the most exciting dish around, but you know your appetite will be sated and it will taste wonderful going down. Interestingly, some line-up changes have led to a slight difference in attitude as this is a nearly all-out, full-throttle death thrash extravaganza. No time for slow-paced esoteric moments of reflection. No, this is tank music to crush your enemy. New guitarist “Spider” tosses in a heaping handful of excellent solos to offset the pummeling thrashified death riffs proffered up by guitarist/vocalist Piotr Wiwczarek, who also delivers the best “ungggghhhhh” since Tom G. hisbadself. Not groundbreaking (of course), but most definitely not boring.
Vector Of Underground – Get Laid With The Freedom (Svietco Entertainment)
This will easily be the most polarizing Bleeder on the list, probably for the entire year. In 2002, after my young wife, Lisa, died unexpectedly, I spent a lot of time listening and re-listening to System of a Down’s Steal This Album. It was heavy, funny, and psychotic. Almost like a little Charlie Manson funsicle of out-and-out crazy. It is still my favorite release by SOAD and holds a special place in my heart for helping me weather my tsunami of grief. Now, take Steal… and up the fucked-uppity factor by about one thousand, throw in some serious death growls, and, oh yeah…did I mention they’re Russian?! Here, I’ll just let this weird video of the lead singer performing live vocals for their song “Information Terror” explain it to you. Or not.
FOR IMMEDIATE RELEASE
September 13, 2011
Evil United self titled CD, available now from MVD.
WIN A FREE GUITAR FROM DEAN GUITARS and EVIL UNITED...go to www.Metalunderground.com for details.
2011 Update Evil United- self titled-new release, new band made up of Texas metal alumni (members of S.A. Slayer, Riot, Pitbull Daycare).
In 2007 McMaster was asked by bassist and longtime friend, Don Van Stavern, to join them in writing some new material. writing was slow with McMaster in all projects going full blast,but, some of the heaviest old school riffs, with new screaming dark angry lyric and vocals from McMaster.
